Fourth Monkey Press

"Definitely people to watch!" *****(Fringe Review on A Clockwork Orange)

"Immense energy and skill" ***** (Public Reviews on The Threepenny Opera)

"It was perfect. It was Sarah Kane" ***** (Edinburgh Guide on 4.48 Psychosis)

"Another triumph by Fourth Monkey" ***** (StageWon on The Erpingham Camp)

"A tour de force on the fringe" ***** (Remote Goat on Lord of the Flies)

"A magical experience" ***** (A Younger Theatre on Nights at the Circus)

"Full of future acting stars" ***** (Remote Goat on The Bacchae)

"A must see" ***** (Fringe Review on 4.48 Psychosis)

"Threepenny? I'd pay more!" **** (Remote Goat on The Threepenny Opera)

"Unmissable" **** (Broadway Baby on Elephant Man)

"Great expectations of things to come" **** (Fringe Review on Antigone)

"If only everything at the fringe were this good" **** (A Younger Theatre on Minotaur)

"A rollocking good laugh" **** (Scotsgay on The Erpingham Camp)

"Outstanding" ***** (Fringe Guru on 4.48 Psychosis)

"A classic not to be missed" **** (Broadway Baby on A Clockwork Orange)

 "I left the theatre dazed with amazement by its overall power" **** (Fresh Air on A Clockwork Orange)

"A hit" **** (The List on A Clockwork Orange)

"A classic reworking of an iconic novel" (Muswell Hill Journal on A Clockwork Orange)

"A production with unrestrained passion at its heart" (Extra! Extra! on A Clockwork Orange)

"Electric, seat gripping, eye flinching... joyous moment of Fringe theatre" (Fringe Report on A Clockwork Orange)

"Passion oozes from every one of the cast..." **** (Edinburgh Screenworks on A Clockwork Orange)

"An inspired and inspirational interpretation" (Timberlake Wertenbaker on witnessing Steven Green's interpretation of her play ‘The Love of the Nightingale')

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